JAE5 & Lojay's 'Loveless' EP Is A Lyrical and Thematic Triumph [Review]
On the 8th of March, 2024, JAE5 & Lojay unveiled one of the premier collaborative Afrobeats projects…
Wande Coal's 'Mushin 2 Mo'Hits' Set The Pace For A New Generation [Review]
When Wande Coal’s revered debut, Mushin 2 Mo’Hits finally arrived on streaming platforms on…
VASA Is In Blistering Company For The '50-50' Remix [Song Review]
Rising act VASA has teamed up with Bella Shmurda for the remix to ’50-50′, doubling down on his…
Shoday’s "Brkfst" EP, A Treat With Just Enough To Relish [Review]
Following a trail of singles dating back to 2021, Nigerian Afrofusion act Shoday formally gets down…
Joeboy's "Osadebe" Is An Intentional Return To Form [Song Review]
Alongside Fireboy DML and Rema, Joeboy’s break out in 2019 was pivotal in resetting the sonic…
On ‘No Social Media’, Rukmani Revels In The Thrill Of Non-Digital Life [Review]
‘No Social Media’, the first of Rukmani’s 2024 offerings, is a defiant call to a routine void…
Logos Olori's search takes an interesting and hopeful turn on debut project "Olori EP" [Review]
“On Olori ( The EP), Logos is searching through the variant of Pop sound that are scattered all…
Music Producer Agatchu Impeccably Transitions Into Music Performance With Debut Track “New Maserati” (Review)
Agatchu born Chris Hamiwest, is a producer, singer and songwriter hailing from Luanda the capital…
Praiz’s Heartfelt ‘LOVRBOY’ EP Is A Timely Valentine Offering [Review]
On the 9th of February, 2024, Praiz opened his 2024 account with an impassioned, four-track RnB EP…
"The Ones Who Didn’t Die" is Teledalase’s Sonic Rendition of Unvanquished Survival [Review]
“If anyone deserves to live, it is us after all these dying we have done”
Eloghosa Osunde
In…
