February Round-Up - The Best Projects of last month
Q1 2024 is gradually coming to an end with March already upon us and now it’s time to resume…
Wande Coal's 'Mushin 2 Mo'Hits' Set The Pace For A New Generation [Review]
When Wande Coal’s revered debut, Mushin 2 Mo’Hits finally arrived on streaming platforms…
Skepta and Portable's 'Tony Montana' Is An Unlikely Delight
A Skepta and Portable collaboration, ‘Tony Montana’, is one of the unlikeliest in recent…
Rukmani: "Clear Road For Softie" [Excl. Interview]
“I can never separate because my art is very personal to me. How can I express myself without…
VASA Is In Blistering Company For The '50-50' Remix [Song Review]
Rising act VASA has teamed up with Bella Shmurda for the remix to ’50-50′, doubling down…
Shoday’s "Brkfst" EP, A Treat With Just Enough To Relish [Review]
Following a trail of singles dating back to 2021, Nigerian Afrofusion act Shoday formally gets down…
Joeboy's "Osadebe" Is An Intentional Return To Form [Song Review]
Alongside Fireboy DML and Rema, Joeboy’s break out in 2019 was pivotal in resetting the sonic…
On ‘No Social Media’, Rukmani Revels In The Thrill Of Non-Digital Life [Review]
‘No Social Media’, the first of Rukmani’s 2024 offerings, is a defiant call to a…
Logos Olori's search takes an interesting and hopeful turn on debut project "Olori EP" [Review]
“On Olori ( The EP), Logos is searching through the variant of Pop sound that are scattered…
Music Producer Agatchu Impeccably Transitions Into Music Performance With Debut Track “New Maserati” (Review)
Agatchu born Chris Hamiwest, is a producer, singer and songwriter hailing from Luanda the capital…
Meet Bushboy Marc, the Visionary of Music Videos Shattering Genre Boundaries
Not just any music video filmmaker, Bushboy Marc is one. Their moniker conjures up images of…
