Shoday’s "Brkfst" EP, A Treat With Just Enough To Relish [Review]
Following a trail of singles dating back to 2021, Nigerian Afrofusion act Shoday formally gets down…
Joeboy's "Osadebe" Is An Intentional Return To Form [Song Review]
Alongside Fireboy DML and Rema, Joeboy’s break out in 2019 was pivotal in resetting the sonic…
On ‘No Social Media’, Rukmani Revels In The Thrill Of Non-Digital Life [Review]
‘No Social Media’, the first of Rukmani’s 2024 offerings, is a defiant call to a routine void…
Logos Olori's search takes an interesting and hopeful turn on debut project "Olori EP" [Review]
“On Olori ( The EP), Logos is searching through the variant of Pop sound that are scattered all…
Music Producer Agatchu Impeccably Transitions Into Music Performance With Debut Track “New Maserati” (Review)
Agatchu born Chris Hamiwest, is a producer, singer and songwriter hailing from Luanda the capital…
Meet Bushboy Marc, the Visionary of Music Videos Shattering Genre Boundaries
Not just any music video filmmaker, Bushboy Marc is one. Their moniker conjures up images of…
Praiz’s Heartfelt ‘LOVRBOY’ EP Is A Timely Valentine Offering [Review]
On the 9th of February, 2024, Praiz opened his 2024 account with an impassioned, four-track RnB EP…
"The Ones Who Didn’t Die" is Teledalase’s Sonic Rendition of Unvanquished Survival [Review]
“If anyone deserves to live, it is us after all these dying we have done”
Eloghosa Osunde
In…
Iyanya Rolls Out 13 Visuals Off His Latest Album, 'Once Upon A Cat'
Once Upon A Time Album cover.
In an unprecedented move, veteran Afrobeats act Iyanya released…
