Pryme Delivers a Euphoric Anthem of Love and Rhythm on “Carry Go” [Review]
Pryme is back, and this time, he’s bringing the heat. His latest single, “Carry Go,”…
Harmony Samuels or H Money?: His Zigzagged Transition to Music Performance Proves his Quintessential Relationship with Music [Exclusive Interview]
Harmony Samuels’ nest of contingencies conspired and snowballed into a flourishing career. Ever…
Jaywon’s “Evergreen” is a Nostalgic Tribute to Life and the Translucent Angst of Hope [Exclusive Interview]
If at any point you loved the 2012 “Odun Yi (This Year)” Crooner, Jaywon, who left us with…
Duncan Daniels Traverses Genres and Explores Rich Storytelling in "Dan Cain: Honesty & Nostalgia" [Album Review]
Duncan Daniels’ artistry effortlessly bridges cultures and genres. Born in the United States…
Mage the Producer is Keen on Creating Music that Crosses Cultural Boundaries [Exclusive Interview]
Mage’s story is one of natural talent fitting into unceasing ambition. Starting from the four…
Kenduu Reminisces on the Dank Aftermath of Passion and Romance on “Two Summers Ago” [EP Review]
From the opening lines of this stunning project by Kenduu, it is immediately obvious that we are in…
Interpolation vs. Sampling: What is the Difference Between Both Phenomena?
There is a thin line between sampling and interpolation. In music lingua, a large percentage of…
Top 15 Nigerian Album Intros in the Past 5 Years [Ranked]
Writers are often advised to make their first sentence utterly compelling and exciting because it is…
Most Streamed Albums in Nigeria During the First Half of the Year
Several albums have been riding on a wave since the inception of their release. As 2024 progresses…
“Before The Feast” is a Continuation of Falz’s Monotonous Template [EP Review]
Before the Feast, a six-track collection with a lineup of commendable featured artists including…
