Ckay the Second: Is This a Continuation or Departure?[Review]
CKay hasn’t always been the type to chase hits. He creates music that resonates with his…
SBThaProducer’s Power Lies in his Simplicity[Exclusive interview]
In the ever-evolving soundscape of Nigerian music, some voices shout while others build in silence…
Edenojie’s “See You Again” is a Stirring Portrait of Love, Loss, and Longing[Review]
It is often said that grief is a testament to love and proof that life once bloomed. More often than…
Tay Iwar is Utterly Vulnerable On “Reflection Station” and it’s Beautiful [Review]
Tay Iwar’s songwriting is rich and emotive. And his vocals are calming, soothing, gentle. Over the…
Davido’s “5ive”: Everything We Know About His Upcoming Album
More than a decade has passed since Davido first stepped into the limelight, stamping his name as…
Sute Iwar is Creating Essentially Healing Music[Exclusive Interview]
Sute Iwar speaks like a man who’s figured it out. Not in the sense that he has all the answers…
African Artists Whose Songs Have Surpassed 1 Billion Spotify Streams
For years, African artists have been making waves on the global stage, but now they’re breaking…
Hammerboi is Preserving the Bini Culture and Bridging a New Era [Exclusive Interview]
In an era where cultural identity in music is often diluted for global appeal, Hammerboi stands firm…
Nationn’s Next Chapter Continues with “Competition Finish”—And it is Unmissable
Born Chibuike Victor Eze, Nationn’s story isn’t the typical rags-to-riches tale. It’s…
Hammerboi’s ‘Ancient City’ is a Love Letter Wrapped in Tribute to Benin City [Review]
Hammerboi is riding the wave of momentum from his breakout single, “Love Letter,” with a…
Øsa OGB’s "Gritty Tapes" Possesses Lyrical Dexterity and Raw Storytelling [Review]
Øsa OGB’s “Gritty Tapes” is an unapologetic dive into the raw and unfiltered energy…
